Showing posts with label H.P. Lovecraft. Show all posts
Showing posts with label H.P. Lovecraft. Show all posts

Tuesday, April 11, 2017

The Void: Hell Needs Better Lighting!



"The Void" is pretty darn good.  It's a really, really tight movie with a solid plot, strong actors, and an interesting take on Lovecraftian horror. I liked it, a lot. But, for as fun as it is, it is by far not a perfect movie. There are some action sequences that are difficult to follow, mainly due to poor lighting and shitty camera handling. (They call those guys camera wranglers, right?)




Before I go into the technicalities, let's stop for a brief moment to cover the plot, shall we?


A cop comes across a hurt junkie and takes him to a run down hospital where his estranged wife works as a nurse. Supplies are low; the hospital is about to shut down for good. A very pregnant girl and her grandfather are waiting to see the doctor. And then...all hell breaks loose as one of the nurses loses her shit and stabs a patient in the eye, then proceeds to cut off her face. Yep. It's one of THOSE movies. SPLATTERPUNK BITCHES!

The hospital soon that becomes a supernatural death maze of doom as it is surrounded by cultists without, and hideous deformed monsters within.

The characters don't get along, and they are forced to worked together and try to stop the eldritch horrors from being summoned into our reality.

I for one, appreciated that. It made them feel more real. 

Some of their actions are surprising, but in a good way. Their intent is not telegraphed from the moment they are on-screen, and yet their actions are believable. That is hard to pull off (well, for some directors at least...).

In good Lovecraft form, anything and everything that can go wrong, does. Spectacularly.


"The Void" wastes no time whipping out the bad guys, the cultists and the monsters from Beyond Space and Time.

Too bad they didn't bother to film them longer while on-set...


The camera lingers long enough of these dudes to effectively pull off the male gaze shot...
Not that they do that. They're not sexy cultists. This isn't that type of movie. 

"The Void" has some technical issues...which really frustrated me because they didn't pause the camera longer on the monsters before it started shaking and moving around like a spazz as the characters ran.

 I couldn't make out their features, and I'm a huge practical effects monster fiend, so that kinda sucked.


TOO DARK! TOO DARK! Get them some more maglights! Stat! 


Honestly, my only complaint about this film is that it was too dark- it was hard to make out what the monsters were supposed to be. I kept asking myself, "Wait... what the fuck am I looking at? What is that supposed to be? Could they just wait five fucking seconds so that we can get a decent glimpse at it before everyone runs around screaming?"

I still have no fucking clue what this is... 


Seriously,  rarely did we get a glimpse of any of them for more than a few seconds. As a monster lover, that disappointed me. Too much shaky cam, not enough lighting.

OK sure, this is well lit, but the camera doesn't stay on it long enough for your brain to register what you are even looking at...which is tentacle face. Yep. That nurse has a bad case of tentacle face. It's fatal. Poor thing. 




In some respects, it was like watching "Feast." Good idea, neat monsters, but too damn dark and the camera was too fucking twitchy to follow what was happening at times.

You spend that much time making monsters with practical effects? I want to see them damn it! I want to see your hard work. Show it off like the movie whores you are! You know you want to. 😘

What are we all staring at? Anyone have a fucking clue? Because I got nothing.


My personal complaints aside, "The Void" was well executed and a fun romp through Lovecraft territory, tentacles and cold uncaring universe and all. 

Go check it out, you won't regret it. Trust me on this one. 

Sunday, April 22, 2012

The Cabin in the Woods Review


"The Cabin in the Woods" is a Lovecraftian love/hate letter to horror films. It has some suspenseful moments, but for the most part, it's a fun romp through slasher flicks, giant monster movies, creature features and foreign horror films. "The Cabin in the Woods" is clever, snarky and constantly pokes fun at just about any horror convention or cliche you can think of, which makes it the best deconstruction of horror movies since "Scream." In fact, this movie invokes more stereotypes and horror tropes than even "Scream" was capable of doing. And for this reason, "The Cabin in the Woods" is freaking hilarious.

"The Cabin in the Woods" starts out a little slow, as two distinct groups of characters are introduced: the suits in the white shirts and ties, ala 1950's NASA style, Sitterson and Hadley, and the normal college kids that transform into the stereotypical slasher film archetypes: the jock Curt; the slut Jules; the virgin Dana; the nerd, Holden; the fool, Marty.


Sitterson, Hadley, and their friend the chemist Lin are heading into the office for another typical work day; complaining about family problems and mundane matters as they make their way to the control panel where all the "magic" happens.


Turns out, the suits are a part of a huge conspiracy that collects groups of young adults and turns them into the perfect human sacrifices by manipulating them with drugs and pheromones to get them to act out the roles that the Chthonic gods, the Ancient Ones, require in order to be satisfied. Failure to kill them means that the gods will awaken, and the world will end.


Sitterson and Hadley are hilarious. They are competing with a unit in Japan, who sent a hungry ghost to kill a room full of nine year old school girls. When the school girls use their Shinto magic to place the ghost into a happy frog (which leads to Sitterson screaming F- you! repeatedly at the screen where the Japanese school girls are cheering after they stop the ghost),  it's up to them to save the world.

Some of the humor of the movie comes from the fact that the characters are forced to become the stereotypical teens found in slasher flicks. For instance, Curt is a sociology major attending college with a full academic scholarship. He is turned into the brain-dead jock. When they arrive at his cousin's cabin, all of the sudden he is wearing a varsity jacket and turns into a beer drinking horn-dog. Curt has a healthy loving relationship with Jules, who was poisoned with "stupid" (chemicals that inhibit the thought processes in the brain) when she dyed her hair blond. Dana was having an affair with her college professor and is turned into the innocent virgin. Holden, the football player with the amazing six-pack abs, turns into a glasses toting, dress shirt wearing girl-shy nerd. Only Marty, the philosophical stoner, is unaffected by the drugs that they are given, mainly because he's such a bud-head.

Soon, the college kids travel to Curt's cousin's cabin for a fun weekend in the woods. While on the way they stop for gas and are greeted by the harbinger of doom; you know, the one ugly dude that warns the meddling kids not to go up to the spooky cabin in the middle of the woods because people that go up there never come back. Of course, they ignore his unsettling warnings.


After they pick their rooms and go for a swim in the lake, they start drinking and playing Truth or Dare. During the game there is a very creepy scene with the slut Jules making out with a stuffed wolf head ( for some reason, that wolf head is so sinister looking that it made me nervous to watch her lock lips with it). Then, suddenly, the trap door to the cellar slams open, scaring the crap out of the college kids.

I still can't believe that the actor that plays Thor (Chris Hemsworth) is in this movie...
The cellar is chock full of objects, each of which are relics that can be used to summon a different type of monster. Back at mission control, the different departments are taking bets on what monsters will appear to kill their sacrificial lambs, as it all depends on who uses their item first.

Personally, I would've bet on Kevin. He's probably terrifying.
Check out that list on the white board. We have Angry Molesting Tree and Deadites from "Evil Dead." Which is a nod to the fact that both "Evil Dead" and "Evil Dead 2" take place in a cabin in the woods.

The Buckners are resurrected after Dana reads aloud a Latin phrase from Patience Buckner's diary. Marty, the stoner and ironically the voice of reason in the film, tells her not to read it out loud, but no one listens to him. Soon, they are stalked by the redneck zombie torture family from hell. (In H.P. Lovecraft stories and "Call of Cthulhu" RPG, you never read the books out loud. They always summon something terrible that will kill you, rob you of your sanity, or devour your soul.)

Marty is the only one that thinks that they are being manipulated, but his friends ignore him because they think that all of the pot he's been smoking has made him paranoid. His suspicions are confirmed once he finds the tiny camera that's been installed in his bedroom on the lamp. Unfortunately, before he can tell the others, they are attacked by the zombie redneck torture family.

Of course, the jock and the slut are killed first for their "transgressions" i.e. showing boobies in the woods and making out. The guys in the control room make comments similar to what an audience might say, such as which character(s) they are rooting for and urging Jules to take off her shirt. Which can be taken as a comment on how the average audience to a slasher film would react by rooting for their favorite characters and telling the hotties to get naked.

When Jules dies, Sitterson and Hadley say a strange prayer and then pull the first lever to release blood into a chalice. Curt runs back to the cabin and the kids try to hide from the zombies, but its no use. When Marty "dies" off-screen and there is an earthquake after they pull his sacrifice lever. Later, we learn why- Marty isn't dead and the gods are voicing their displeasure.


After Curt and Holden die, Marty shows up to save Dana from daddy Buckner. Turns out that he found a tunnel leading to the building where the control room is located when he was hiding from the zombies. He takes Dana with him into the elevator, where they make their descent into hell. Well, not literal hell, but movie monster hell. All the monsters they were betting on earlier are kept in glass cubes that the elevator can get to, by moving Willy Wonka style (up, down, left, right, forwards and backwards).


To get their revenge on the people that set them up to die horribly, Dana and Marty unleash the monsters and the goriest, funniest, blood-bath I have ever seen takes place. By the time the monsters are done eating people, the hallway is literally slathered in blood. There are so many homages to the different types of movie monsters, you really need to keep your eyes peeled during this sequence to catch them all.

My favorite was Fornicus, Lord of Bondage and Pain- the Pinhead analog of the movie, who held a puzzle sphere instead of a puzzle box. 

I guess he would be called Sawhead instead of Pinhead....

The guest star appearance at the end with Sigourney Weaver playing the Director is also equally awesome. I won't tell you what she does, you'll just have to see it for yourself. Needless to say, she doesn't win. Then, after defeating the Director, Marty and Dana sit down and have one last smoke as the world ends.

If you haven't had a chance to see this movie, you really should. It's an intelligent comment on horror movie cliches and stereotypes. It gives us a reason for why they exist, and why monsters in horror movies are always running after young adults and trying to kill them.